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Apr 20, 2015 11:45:00 GMT -8
Post by Joselle on Apr 20, 2015 11:45:00 GMT -8
OUT AGAIN UNTIL MAY! I have acting things and projects but I'll see what I can do after this week!
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Mar 22, 2018 23:57:28 GMT -8
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Post by Joselle on Jan 15, 2015 15:10:55 GMT -8
SHOOT I WROTE A LOT {Nicoleta}For long, I have been fascinated by femme fatales. I grew up just admiring these kinds of characters. They’re seductive, cunning, mysterious, and independent. These empowering attributes of the female character contradicted with the traits I saw in the usual heroines and leading ladies in books and movies. Then I just started embracing the flaws as a necessary part of character building. For Hetalia, it all started with Hungary. I viewed her as a strong female character, though I was somewhat annoyed that she was the only female that displayed any kind of ‘strength’ around four years ago. Also, she mainly interacted with guys to emasculate herself, which was totally fine, but I wanted more females. Also noticed that Himaruya gave her a rival, the mysterious Romania who fights Hungary like “cats and dogs”.
Then I thought, “Hah! Cat fight!” I developed more of a liking to strong female versus strong female. I figured Elizaveta needs an equally strong lady rival to stand out amongst the throng of (uselesscough) men. So, I created Nicoleta, a lady Romania who started out as the total opposite of Elizaveta. Short hair to long hair; cat (lynx) to dog (wolf); darker scheme to lighter scheme; unapologetically antagonistic versus kind and righteous; appearing masculine but acting feminine versus appearing feminine but acting masculine—these are the pairs of foils that apply to Nicoleta and Elizaveta respectively.
Not only that, I delved more into Romania’s culture and fell in love with it. Romania has this ‘darker’, witchy and ‘macabre’ scheme to its culture and lore, so I thought that fits perfectly to that vamp of a femme fatale. I molded Nicoleta to being that dark lady, that cruel vixen, that stock character who’s always placed as the evil villainess of the story. But of course, it is only her fate to be set as the antagonist. As you all know, any character is the protagonist of his or her own story. So I was not going just let her be a one-dimensional buxom badass hot lady (although this description rings true).
There are a lot of undertones to her personality that makes her particularly my favorite muse. She’s a set of complex behaviors, and the fact that it can be misunderstood and can quickly be labeled as ‘bitchy’ actually pleases me. What I aimed to do was take that femme fatale and make her more than just a sex symbol. Course, giving her a backstory takes away the mystery of the femme fatale, but it also lets her motivations be known, her reason, her desires, and her weaknesses—especially her weaknesses. Yes, Nicoleta was made to be a strong rival to Elizaveta, but her story revolves around her own weakness, which might just be the touch of irony that Nicoleta is so fond of. She’s a disillusioned character, with her world revolving around lies and identities, but her upper-hand is that she has been able to twist it to her advantage (world war allusions here cough—in addition to a lot of Romanian cultural allusions in general). Although she was initially created to be hated, the subtle endearing traits she has makes it much too easy for me to be attached to her.
The best part about her is that she knows she is bad. Her acceptance and understanding of her personality brings forth this kind of control that I have thought is lacking in most traditional female characters. Despite the usual stereotypes, I see her more as the wild, dramatic, and edgier than the typical femme fatale. That's why Nicoleta’s a whirlwind of fun, whimsical, a chaotic force, and she is also always changing. I find myself at a challenge when it comes to solidifying those deeper personality traits, because she literally does her own shit, and that is what makes her awesome.
{Donald}Donald was created based off this character I saw in a movie. I don’t remember his name, but the man of this movie was a cheerful man, goofy in his way, and quirky with that British charm. Thus, Donald was created off of those threads, and that interweaved with some Northern Irish/Irish culture. He doffs the hat in greeting, is a gentleman to females, favors platonic relationships, and is an all-around good guy with a liking for crisps, alcohol, and dancing. So lo and behold, the freckled-face and smiling ginger was conceived. For a spin, I added tons of brogue and a penchant for prattling for the fun of it. He’s a fun energetic sunshine, but like Nicoleta to Elizaveta, he also has many foils to Ireland (Aoife).
Donald is calmer than what one would imagine an Irish to be. Stereotypes color the typical Irish denizen to be brazen and fiery, loud and possibly always drunk. I flipped it so that there is a bit more esteem to his demeanor. More importantly, I wanted that to contrast with what he is inside: a mess. Northern Ireland has gone through many troubles, and I reflected that through inner, emotional turmoil. Religion plays a big role in his characterization, and it might have also been an insert from my past religious experiences. However, religion is his primary motivator, and his faith is his saving grace for all of the afflictions he had underwent through.
Contrary to his sunny behavior, Donald is a sad person. As explained in his background, Donald went through all sorts of trouble in the name of what he thought was right. I wanted to tweak with the ‘moral villain’ or ‘divided hero’ archetype, showing that shining knights may not always be what they appear to be. Though I think I have really underplayed his depression, and kept it on the ‘down low’ as much as possible, however it does affect his mental health. I didn’t want his sadness to smother his charm, otherwise I’d fall in that trap of making a character too sappy. Either way, Donald’s a unique muse of mine because of his struggle with the good and bad, and it might just represent how I view religion.
{Marianne}Luxembourg was originally the Gibraltar of Europe, once an impregnable fortress that resided in between three countries. It was desirable for strategic advances and for pride, therefore it had been fought over for centuries. So I thought Marianne would fit as the desired princess of every traditional fairytale. And it is probably very ‘mary-sue-ish’. But knowing me, I wanted to change it up and make her more human. I wanted to showcase just how much damage expectations can be done to a character.
Like mentioned before, pretty Marianne is also the result of another observation from traditional female characters. There are ladies who are idolized for their divine beauty, and helplessness. Gentle princesses stay in the high tower, unable to fight their fate. They are admired far and wide for their ‘feminine’ practices and talents. I put all of that in Marianne. Yes, she is the gentle princess with that divine beauty in appearance, but she’s also the queen. She is duty, and she is tough. Although she may not always get what she wants, she tries to take the reins of her own fate, and it challenges her.
In addition to her beauty, she is intelligent, and taking up a notch, she is aspirational and diligent. She aspires so much, and her drive is both her strength and her weakness. Marianne was crowned with a myriad of expectations, in addition to attention because of her appearance. Though it weighed her down, she has been going forward anyway. However, this is when her aspirations take her to a turn. She plays to finish the race, to achieve, and to win. Marianne is so forward and moral of a character, that she loses her grip of the present. Her pitfall is her own loneliness and tunnel vision toward her goals. It explains why she has been so isolated from her family, and why she has so little friends. This creates that kind of a personal rift and contrast to Belgium/ Charlotte. (For a fun thing, Present, Past, and Future goes with Niklaas, Charlotte, and Marianne). More psychological mushes go on, mostly with Marianne struggling to be who she wants to be. It’s sort of like she’s fighting to break out of the stereotype that she can be a woman, be beautiful, and be great by her own making.
Unfortunately, she makes as many mistakes as all of my other muses. But I adore her for that reason. Coincidentally, she’s stylized to be a bit like Elsa, so she is a woman who is holed up in her own high fortress, afraid to open up lest her cracks show. Another important thing is, I want to showcase a different kind of strength, a mental one. I REALLY opposed Marianne being able to fight, even though this is an action-filled rp. I want her to be the one who can’t, to represent characters who can’t fight (not that I don’t like fighter ladies!). But in this case, she’ll be the physically vulnerable one. Yes that goes with that traditional lady princess archetype. Despite that, her strength is on the inside, one that is coupled with perseverance and determination. A quote that best goes with describing Marianne’s position in this is: “A woman's strength isn't just about how much she can handle ... It's also about how much she must handle after she's broken.”
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Mar 22, 2018 23:57:28 GMT -8
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Post by Joselle on Jan 11, 2015 22:37:38 GMT -8
Seven Deadly Murders {i. Lust}((warning: religious twist on sex and violence ok))
She knew a man whose lips intoned a faith that made hearts quiver. The litanies eased from his lips like ribbons, giving song to the stained-glass colors that dappled on the floor. For a man of a voice that moved the masses, young Father Adam was shy and soft-spoken when he’s away from the altar. His hands were always tucked away, conscious in its' exposure as something bare, true and naked. After mass, he stood clad in black like a silhouette, the clerical collar hugging his neck, the sleeves locking his wrists. Although he greeted and smiled, he was distant, with hands to himself, hidden like secrets.
They had met in a confessional, where a wall with a slotted lattice window was set in between them. In the somber darkness, the Romanian woman was a black veiled widow, her sins rolling down her cheeks. And so he did his duty, and forgave in His name, yet stumbled on the penitence rites when he met her gaze. Hazel eyes, flecked with gold, and tainted with green—the green of a viper. In that moment he felt a tingle, a thrum of the heart, a frustration of the fingers. A longing commenced, in form of the compassion to touch the troubled spirit, to send down the flame on her tongue. She tempted him with a holy desire: he wrought to save her, this woman damned by circumstance.
Each Sunday they met in the confessional, and her words became whispers, whispers became breaths, became moans for salvation, painting fantasies of the Promised Land she held victim between her teeth. By the powdered words and perfumed frankincense, he became entranced by her sorrow, to ease her sorrow, to reach out to her sorrow. Desire, he gasped. Mercy. His hand trembled on his lap, as he choked on the thought of her communion on his tongue. He gave her blessings and bid her to leave. That night, he clasped his hands tight in prayer, sweating contrition.
The lull of her words played over and over, seducing him, breaking concentration, sundering through hymns and sermons. Her sorrow was sad beauty, a harrowing example of the Lord’s abandonment. Father Adam plucked away his feathers at night, as he could not keep his hands to himself; he had his hand all over himself, of her words that twisted deep in his stigmata. He bled with desire and pain, for retribution and forgiveness.
After her next confession, he told her to pray with him. She did, pressing her prayers against his lips, to which he did not deny. Sin from sin, begotten not made. Mercy, she gasped, yet he bit for more. Those fingers that followed the bible were slender and thin, once so precise were now so clumsy and faltering. He sanctified her body with the exploration of a touch, forsaking his god to worship her, the shape of Eve. Drifting downward from heaven, he spelled out scriptures against her with his tongue. Father Adam groped for more, yet she whispered, “Not here. A better place.” He blushed, cheeks pink and florid with shame.
She led him down the stone stairs, the step that were slightly depressed by decades of use. Blind and inspired, he followed her in prospects of the bodily covenant. In a dim area, he then seized her with a kiss and she returned by marking blasphemies with her nails. They shed their worldly possessions for the pleasure of knowing they could. Muffled hisses, snarls and growls. Heat and damnation, curses and swears.
The pleasure sent ribbons down his neck, shaking, convoluting, twisting. With a whicker, her knife sent ribbons from his neck, and his body shook, convoluted, and twisted. Petals of color dappled the floor, in drops and in splatters. The flickering candles made the frozen face of Maria more solemn, shifting the contours of her disapproval.
She was baptized in his original sin, it burning warm against her flesh. Yet she still fucked him, pushing his dying body to the ground to ride what life was left. Nicoleta went to the cadence of a hymn, on and on until she laughed the Lord’s name. When she was done, she removed herself with a wicked smile. Mercy.
Back in Romania, young Father Adam had not always keep his hands to himself.
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Mar 22, 2018 23:57:28 GMT -8
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Post by Joselle on Jan 5, 2015 13:10:12 GMT -8
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Mar 22, 2018 23:57:28 GMT -8
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Post by Joselle on Dec 24, 2014 20:35:20 GMT -8
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Mar 22, 2018 23:57:28 GMT -8
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Post by Joselle on Dec 23, 2014 23:39:02 GMT -8
{For Oz!} HOPE U LIKE
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Mar 22, 2018 23:57:28 GMT -8
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Post by Joselle on Dec 23, 2014 23:37:59 GMT -8
ParticipantsMissoIcyJenWorldieOli KatAsuDerpMonaLena Sheep OzRomaKokoAmy
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Mar 22, 2018 23:57:28 GMT -8
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Post by Joselle on Dec 15, 2014 13:06:13 GMT -8
psst i need ur addresses
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Mar 22, 2018 23:57:28 GMT -8
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Post by Joselle on Dec 12, 2014 18:29:42 GMT -8
we have a temporary cbox at the moment on the chatbox tab
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Mar 22, 2018 23:57:28 GMT -8
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Post by Joselle on Dec 11, 2014 19:01:02 GMT -8
jk im getting you guys these so I can give you all flavors and like 10 of them FF
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Mar 22, 2018 23:57:28 GMT -8
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Post by Joselle on Dec 10, 2014 17:04:49 GMT -8
Haii. So I'm going to be sending out candy once I figure out how this works. PFT. But yes, if you'd like one, please tell me uvu Of course, you'll have to be willing to give me your address, which I will accept through PM. Choices are: Vanilla, Colombian coffee, chocolate and butterscotch. Just pip in with a post with your two top flavors or something =w= ( and for u international people, I will hope that these dont melt that badly ok )
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Mar 22, 2018 23:57:28 GMT -8
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Post by Joselle on Dec 8, 2014 0:04:36 GMT -8
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Post by Joselle on Dec 7, 2014 1:45:07 GMT -8
{nico}
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Post by Joselle on Dec 7, 2014 0:51:56 GMT -8
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Post by Joselle on Dec 4, 2014 20:45:29 GMT -8
HECK YeAS. DEFINITELY NEED THESE TWO. We can totally skype out how their childhood was like so that we can get all those details in uvu. But yeah totally. One thing that Donald does is that he can be KIND of a hypocrite. While he'll be bothered (to put it lightly) by Arthur's past doings, he'll also feel drawn to Arthur. Arthur's the youngest Kirkland of the 'main' branch and Donald's the oldest |': He's all like, "frick how did this happen" (cough it's in the blood). I can see them taking the stigma though, except the specifics of Donald's case is private--due to the violent nature of it. All that's publicly known is that Donald didn't come clean. They can be looked down upon together ene
And totally true FF I love it. The parallels between the two are great. Kirkland threads usually take an eternity to finish due to the size of the family pff. We can totally thread out a thing with the two of them. I imagine Donald to harbor some conflicted feelings towards the golden boy, just so I can twist this in with N.Ire/England relations. I might need some help figuring out why |D
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